No question whatsoever, director Baz Luhrmann is someone who elicits strong opinions with his every movie. Moulin Rouge draws forth a swoony sigh from its biggest fans and an eye roll from its detractors. In an industry that often plays it safe, creating movies like Fast and Furious 6 to keep the easy money flowing, it is always refreshing that someone is taking chances, and certainly Luhrmann has built his career subscribing to the "go big or go home" school of filmmaking.  His new film The Great Gatsby is no exception. Not only does he create the sort of visually over-saturated and …

Let's face it. Those of you who are interested in films of Iron Man's ilk and have waited through a year of Comic-Cons dressed like your favorite Marvel superhero, do not need Cinema Siren to tell you whether to head out this weekend to keep one of Hollywood's biggest studio franchises alive and Robert Downey Jr. out of the poorhouse.   You already have your tickets. It is the souls who usually stay home with a glass of wine watching Downton Abbey, and occasion the multiplex only for the most hyped and well reviewed blockbusters they want to charm into theaters. Iron Man 3 is playing at the …

In director Joseph Kosinski's Oblivion, you can see a love for and desire to expand on the great classics of science fiction on film. With the most impressive use of IMAX for a feature film to date, in that respect he has created something new and exciting, with what is essentially a 3-D movie where you don't need the glasses.   Production esigner Darren Gilford (of TRON: Legacy) and cinematographer Claudio Miranda (Oscar winner for Life of Pi) make, to quote the movie, "an effective team." The visual landscapes of the film and the meticulousness taken in the action sequences are …

Director Danny Boyle, fresh off being dubbed a national hero for his triumph directing the Olympic ceremonies in London, took another big directorial risk with his new release Trance.  It is a frenetic, haunting genre-bender that grabs hold of and keeps your attention from its first moments to its last with such force you'll feel like you're falling through Alice's rabbit hole after being hurled into it by two burly six-foot bunnies in kilts.  This cinematic journey is one filled with confusion, illusions, violence and moral ambiguities, and not a head trip everyone will be willing to …

Once again we are at an old vs. new and purist vs. innovator crossroads.   Why in the world would anyone go out to see Jurassic Park in the theatre for $12+ when they can snuggle at home and watch it on their own 40-inch HDTV? What could make this release worth the time of movie fans out there when my own Siren spouse couldn't be cajoled into seeing it with me at the multiplex?   It all comes down to the experience. We haven't seen Jurassic Park in the movie theaters since its release in 1993. They could have rereleased it without the new bells and whistles and I'd have been halfway there.   …

Last month, I got a chance to meet Ben Mankeiwitcz, the Turner Classic Movies host and curator, who is actually from the DC area, and was here promoting this year's TCM Classic Film Festival, running from April 25-28 in Hollywood. If you haven't heard, they have a festival, and Cinema Siren can attest to the fact that they feature both great movies and great guest stars.  This year, they'll include Polly Bergen, Ann Blyth, Mel Brooks, Jane Fonda, Mitzi Gaynor, Tippi Hedren, Max Von Sydow, Eva Marie Saint and Mickey Rooney, just to name some of my favorites.    When I talked to Mankeiwitcz, he…

I'm sitting outside the Verizon Center, once again fighting for parking this week with the sports fans next door to my screening movie theatre. It reminds me, even when it matters, sometimes the winning team is a fluke, sometimes it's well deserved… As Cinema Siren is meant to "guide you through a sea of celluloid," I'd like to direct you toward the more deserving teams of filmmakers releasing something this busy week at the multiplex. With spring break upon us, this early March weekend offers an odd mix of genres, with each vying for the top spot at the box office. Best of luck to them, they…

"I don't want to be a good man, I want to be a great one!" This declaration by James Franco as the title character of Sam Raimi's new Disney prequel could just as easily be a hope of the director's as well.  Is the movie great? Is it even good? Oz the Great and Powerful is entertaining and you could do worse than to spend your time watching this interpretation of L. Frank Baum's world flash flowers and toss monkey wings in your face.  But the weaknesses of it make me walk all the way to the dark edge between  recommendation and warning to ponder throwing my ruby shoes into the abyss. Uh oh. …

By the time the bombastic yet tragic minor-keyed Lord of the Rings-type theme music swelled to accompany Jack The Giant Slayer's climactic battle scenes, I was tempted to flamboyantly roll my eyes in slow motion. I couldn't have cared less.   This new release, that was slated for last summer and tellingly sat on the shelf until now, is exceedingly straight-ahead, uninventive and laden with special effects. It leaves the audience feeling like it spent an evening at an expensive restaurant expecting to taste some delicious, innovative dish, only to find themselves digesting a bland, flavorless …

Every year we watch the Oscar nominees and presenters trot down the red carpet to sit through a night where we expect them to accept their victory or defeat with equal aplomb. As laypeople, we judge their designer dresses, make up and hair, their speeches and bemoan or cheer those who win as confusing or richly deserved.   We all look forward optimistically, hoping these awards will further our favorite actors, directors and other filmmakers' careers. Whether they do or not, we are always in for a mix of boredom, surprise, pretension and earnestness. Is this year going to offer anything we …

Cinema Siren is a big fan of love. There's nothing more wonderful than being around those in love. It brings everyone around them up, even if the experience can be a bit of a sap-fest.  Anytime I can play Cupid with a well recommended rom-com movie or charming little cafe for a Paris visit, I'm right there for it. I'm back from London just in time to help the romantically inclined or challenged. Sadly, Valentine's Day is only once a year. That doesn't mean we shouldn't be prepared to do the aural equivalent of tossing rose petals at our significant others, or put ourselves in a loving and …

LONDON — Cinema Siren is writing from London this week, and preparing to see James McAvoy in Macbeth at Trafalgar Transformed. A fan of his work for years, I jumped at the chance to see a new and exciting version of the play put together by the famous British stage director Jamie Lloyd with production design by Soutra Gilmour, who won the 2012 Evening Standard award for Best Design.   It got me thinking about the many cinematic versions of Shakespeare's work in film history. Shakespeare never goes out of style, as witnessed by the recent release directed by Ralph Fiennes, Coriolanus in 2012. …

No, it's not an ode to necrophilia. It is a charming and whimsical movie that goes deeper than anyone would expect about connectedness, trust and a willingness to change.  I never thought I'd say "this zombie flick is a great date movie," but now I have. As a matter of warning, it should be rated "Z" for brain-eating zombies. Still, a large cross-section of movie lovers will enjoy it, making it a far better choice February 14th than that new Diehard (coming out that day! Wah?), for everyone from girlfriends hanging out and Twihards, to couples who don't mind a bit of edge in their flicks.  …

Sometimes a movie is just...bad. We can all watch it and see what they had in mind, how the pitch went, how the director and producers signed on, and talked some pretty big stars into taking part.  And we can see the whole thing derail through to post production, delayed release, and as we watch the finished product with an ever-dwindling vestige of hope. Such is the case for Hansel and Gretel: Witch Hunters.   Why Cinema Siren is reviewing this movie at all is a fair question. I go on record as saying there is always a chance a good movie will find its way to the multiplex in January. Not …

Zero Dark Thirty, which brought in $24 million in its first two days of wide release, has been lauded worldwide and almost universally as an impressive piece of filmmaking, a movie that is anything but formulaic.   It is always very different for those of us who live within the Washington area.  Our experience of anything political is amplified. The headquarters of the CIA, FBI, and of course, the White House, are all within driving distance. It is, therefore, nearly impossible not to have heard about the controversy surrounding this film.  Senators Diane Feinstein (D-Calif.), Carl Levin (D-…

The 85th Academy Awards…These Oscar noms are full of the biggest surprises and snubs in a while, although there are still going to be some complete shoe-ins.   Let's get to it! Will Affleck forever pay for Gigli? Argo and Zero Dark Thirty are both movies that have been highly lauded, with multiple nominations. That doesn't happen in a vacuum. What sense does it make for the directors not to get nominated as well? I speak of Ben Affleck of Argo and Kathryn Bigelow of Zero Dark Thirty, the latter of whom's exclusion is truly shocking.  These directors spend the entire time the film is being …

The Washington West Film Festival has come once again to its home in Northern Virginia, playing new documentaries, shorts and feature films through Sunday. With the tag line "Story Can Change the World," WWFF is unique in all the festival circuit by donating 100 percent of all profits every year to a charity.  This year they will aid in Hurricane Sandy relief.   This year's showings are in Reston Town Center, Reston's Center Stage and at the Angelika Mosaic Film Center in Merrifield.   Cinema Siren is on the jury to vote for the best documentary feature, so I won't say yet what I think of …

  Cinema Siren stumbled off a plane from Paris and stumbled into a darkened movie theater Saturday afternoon to see actor/director Ben Affleck's great new fall release, Argo. This highly entertaining movie was made all the more fun by being in a sold-out theater with a crowd entirely made up of people over 30 at 1:50 in the afternoon. When was the last time any of you have seen that? Our thanks go to Ben Affleck, who has turned into quite a force in Hollywood, offering a smartly entertaining movie that is both fast-paced and extremely exciting. You'd think anyone in Hollywood who got the …

PARIS — This week, Cinema Siren is writing from France, land of unpasteurized cheese, Jerry Lewis obsession, well-behaved dogs in restaurants and a great appreciation of auteur film directors. I'm here for the opening of a Star Wars toy exhibit at the Louvre that involves some film art friends of mine.   Nowhere would there be a better place to speak of the gorgeous piece of animated film-making that is Frankenweenie than where there is in fact no literal translation for "director's cut," because it wouldnt occur to the French that there would be any other version of a film. Tim Burton is …

  Looper is an ambitious and deeper take on time-travel and the future than the usual sci-fi action flick, and if approached with patience and an open mind, it will blow yours away at least as much as the oft-featured blunderbuss in the film. It starts slowly. In fact, it maintains a decidedly European style in its ambiguity and attention to character detail. Although the fashion in France and greater Europe of late has been toward all flash and no substance (Banlieu 13, The Horde), Looper recalls the type of art house vibe that made Blade Runner, for example, the top of its genre.  There are…